San San 848 Washington Street

San San sits at the end of Waverly Place, a shining beacon of cleanliness and efficiency.

 

My favorite part about this whole place is the decor. It’s almost hospital like in it’s adherence to stainless steel: chopsticks, bowls, cups, little dishes for condiments; all shiny – sterilized, sanitized.

The condiments are daunting; everything from pickled peppers to hoisin. It is hard to resist the urge to try absolutely everything in every combination. Generally before my pho arrives I have 3 or 4 bowls holding Sriracha, hoisin and vinegar, and some hot pepper sauce. There are so many little stainless steel shakers holding pepper, salt, chili flakes and rice seasoning that, in my excitement to try as many different things as possible, I shook toothpics from a dispenser into my soup.

The specialty, I think, is the satay sauce noodle. I’ve actually never seen anyone order anything that isn’t some form of noodle soup.

 

For some reason the owners felt that having 6 televisions would add to the ambiance, 3 of which display large pictures of food that they serve, and two display ESPN or news – not exactly an interesting programming schedule. However, I like to watch the 7th television, the one that displays the security cameras – including their back door on Ross Ally. It’s enjoyable to people watch from the comfort of the indoors, and using a camera, very voyeuristic.

 

 

 

 

Malt Whisky Vinegar

April 22nd 2013

Whisky Vinegar

Vinegar is made by basically taking an alcohol (ethanol) adding acetic acid allowing it to ferment. Fermenting lowers the alcohol content, increases the acidity and basically makes the vinegar.
One can make vinegar out of anything with sugar + yeast so you have red wine, cider, beer, champagne (champagne uses a special yeast that can handle the high acidity).
However, one cannot make vinegar out of distilled spirits (distilled vinegar is not distilled, or made from distilled spirits, i don’t know why they call it that).

But, If you take a distilled spirit – in my case, Whisky, add acedobacter and dilute the whisky to around 15% (what’s the highest alcohol level for making vinegar?)(it’s around 20% if you have a mother) then one should be able to make a whisky vinegar – but the effect would be so light what’s the point? And also, why not just use beer, as that’s what makes whisky in the first place?

The answer lies in the new gimmick from Scotch producers vying for the american market – over peated whisky. This whisky the peat is measured in PPM (a useless measurement as there are as many types of peat as there are soil) and generally added, not from the smoking or drying, but artificially. Basically it makes the curmudgen in me flair up and refuse to like it, although I love heavily peated whiskys, most notably – anything from Islay.

So, even diluted to 20% they should still hold the peat flavour, hense – peated vinegar. It is delicious.

Vegetable Stock

JUL
17
2013

Vegetable Stock

Very rarely do you have the exact same items on hand to make a vegetable stock, sometimes one has a mountain of fennel tops, other times an overabundance of celery ends.

The important thing is to use what is available, but flavor the broth with the same spices each time.
I find due to the amount of prancing, slicing and tossing of items in to pots that Rossini works best for this one.
The first thing is to get a large stock pot to which you will add your fixins. A splash of neutral oil and a low flame.
    Then make your way around the kitchen, selecting leftovers that others are prepping. Parsley stems? Great! Leek Tops – even better.
I generally always have on hand – Parsley Stems, Terragon stalks, chevril stems, Leek tops, Fennel stalks, Celery stalks, Carrots, Onions (yellow and red), and garlic.
Roughly chop all these characters and throw them in the not hot oil. Let the leeks wilt and the onions sweat, give a good browning.
Now is the time for herbs and spices, accepting the stems that are already in there of course. Sprigs of thyme are essential, as are bay leaves.  Since this stock is designed for body (it is, after all, not broth), I like to put earthy flavors, ala renaissance, as they say. It’s an old trick, so old it fell out of favor as we put more spice, more fresh into our soups. A dash of nutmeg, a few cloves, not just for christmas or the 16th century kitchen. Nutmeg ads an essential depth, while staying in the background, if you use the appropriate tiny amount.
All this is beginning to get hot, and smell roasted, so add the water, bring to a boil and simmer for a mere 25 minutes.

Atlanta Hood shit part 1: The Cellphone

The Cellphone

Groggy from sleep, Alex was stirring sugar into a mug that had once been white. Now it was chipped around the rim and the small handle. Sugar and milk had created a hard crystalline surface down its greying side. There was a sharp knock at the door, knocking designed to be heard, if needs be, in the bedroom. Two walls were between the kitchen where Alex stood and the bedroom. One wall was hung with a fraying picture of New Order and the other, inside the hallway, was decorated only with stains and a polaroid of a black cat. The knocking was too loud for someone newly awake and next to the source.

He opened the door, and upon seeing the face of his neighbor unlocked the black burglar bars. Alvin lived with his mother in the other half of the duplex. Alvin was tall and dark skinned, his dreaded hair came down to just above the lump on the back of the neck where the spine protrudes. He didin’t like his name to be known, and had chosen the moniker ‘Dread’. He was proud of his hair. He was thin, but hid the fact with tent like white t-shirts and huge jeans. There was a liquor store that sold white tees by the bundle and various other items for the discount that came from working with boosters. Alex walked into the living room with him and thought about offering tea, but there were no clean cups – he remembered after feeling the sticky surface of his own.

There was a small green couch against the back wall. Above the couch the phrase “FASHION KILLS PERSONALITY” was scrawled on the wall in matte black paint, from a large tipped pen. Alex sat in the couch and watched Alvin sit on one of only two more seats, a hard plastic thing from Ikea that was supposed to light up. They never work, he thought, the thing had worked maybe four times in the last 2 years. And besides, it never looks good when it does. The only other seat in the room was a chair that had been stolen from a dentist’s office. A huge surgical white chair that could lay flat or up as access to the teeth required. Stiff arms jutted from the back and the base was a white box full of broken and obsolete machinery. No one liked to sit in that chair, Alex’s guests always balked at the first sight of it viewing it with suspicion, thinking that there was no way of knowing what had been done there, fearing bodily fluids and bad memories of dental offices.

Alvin shook his head as he thought about what his mother would say about the room, and sat. “Whats good? I was visiting my mama, when you got to go to work?”. Alvin spoke fluidly and languidly, full of slang and a southern touch that was the African American South. Since Alex had moved there, he noticed that everybody spoke this way. Alex found himself injecting new vocabulary into his English accented voice. He thought about the grill at work and how he only had 4 hours until he had to be there.

“I have to be there in 4 hours. We good. What’s up?”

Alvin was preoccupied with his phone. “My girl is calling me acting crazy.” To confirm this the phone was put on speaker and the shrill voice was asking where the goddamn hell you been. “That’s why I was at my mamas house to be honest cus”. Alex was upset that no one called him. No one bothered calling, they just came around. Then his phone rang and he silenced it.

“Yeah, that sucks. You can hang out here” as Alex offered consolation he hoped that Alivin would leave sooner than later so he could leave in peace.

The room they sat in was the hub of the house. A small yellow table made of plywood, another Ikea item, was the only surface. A large chunky TV with half of it spray painted white sat at the opposite wall from the couch. When the TV was turned on the white paint was partially transparent, allowing distortions of light from the set to get through. A bookcase filled and piled sat next to the TV. A Iggy Pop poster hung on the wall, one yellowed corner miserably hanging down, showing only POWER.

When Alex first moved there, met Alvin and the neighborhood people every time someone came in the room they would look around confused. The posters, the record player, the dentist chair it was bizarre for anywhere. Alvin had figured out an explanation quickly. “He English cus” saying English harder and slightly louder than the other words, he assumed this was the reason. “We maybe got pictures of our families on the walls, but they don’t do that”. So it was the fact that Alex was English that brushed of his dirty house, his tight pants, his white skin and his strange music.

Alvin passed Alex a brown swisher that had been split and then rerolled tightly. Alex inhaled, the flavor of the strawberry cigar coming through. The conversation was getting more heated. The faster Alvin talked, the harder it became for Alex to understand him. Alex was still a foreigner and still an outsider, no matter how long he lived there.

He sat and smoked hearing the conversation get louder and more aggressive. The phone was hung up repeatedly, then always re-answered until Alvin finally turned it off. “She mad because she says this is her phone.” Alvin explained, knowing that the conversation had not been understood. “It isn’t, it’s my phone, I bought it, she just use it.” Alex nodded. He had never met Alvin’s girl but the possessive aspect threw him off and it made him wary when she was slated to come. She lived in another neighborhood, a 10 minute drive from his house. In another neighborhood may as well be in another state. Alex never saw other neighborhoods, staying in the winding and sloping East Atlanta, the borders extending to I-20 in the North, Moreland in the West, and a fuzzy west and south boarder that ended near Candler park and Edgewood.

Then there was a knock at the door, sudden and surprising. There was a door to the left of the couch. It was the front door, rarely used. There was no particular reason it was rarely used, it just was. Someone knocking on that door is someone who has never been here before, thought Alex. Anyone who came to the house used the side door, it was closer to the car, more private and closer his neighbors on the bottom of the hill with whom he played music and drank wine. It was a system that functioned as an alarm – signifying a stranger was here.

Alex got up and looked through the dull gold spy hole. A woman was outside moving back and forward like a horse before a race. She was wearing form fitting black pants and her hair was up in a light pink handkerchief decorated with paisley. Handkerchiefs are only ever sold with paisley. A town in Scotland invented it, and from there it disseminated. The town of Paisley was a pretty unremarkable borders town these days, Alex thought as he understood that this was the voice on the other end of the phone. He sat back down.

“It’s for you, please go outside, I don’t want her in here.”

Alvin went out through the side door to loop, he worried about what this girl was going to say, and he worried about fighting. Alex thought about the previous night, when he had smoked cigarettes until dawn, and it made his throat hurt to remember. The black cat in the polaroid had come into the room and was now preparing to jump onto his lap. Alex stroked the cat behind the ears and under the chin. The cat had been another point of cultural exchange. A black cat was bad luck, and naming it Human Head seemed to be inviting trouble. Human Head, affectionately called Human for short, usually enjoyed being pet, and was fearless around people. Human would also randomly scratch and bite anyone at any time, wether they were petting him or not, so he could be bad luck. Most guests, unless they were the most frequent ones, stayed away from him.

The door slammed and was locked. Alvin whirled into the room, his white T-shirt flapping. He sat down and began to talk to Alex quickly and shakily. “She crazy, she thinks this is her phone, she know I paid for it, she don’t even pay the bills, you don’t even know cus, she brought her girlfriend with a car here, she outside screaming at me”. Outside the woman was shouting and banging on the door. Alex thought about work in 3 hours. “Can we not do this? She acting like a damn child, give her the phone or tell her to get lost, this is my house she can’t be doing this.”

Human Head purred in his lap and nibbled on his numb, occasionally biting, ignoring the sounds outside. Alvin left and came in a second time, apologizing for all the ‘bullshit’. The burglar bars were rattling at the side door. The woman shouted and pulled at the iron twists, flecks of black paint coming off in her hands. She would have to find another way in, fuming as she thought about Alvin and the argument they had last night. She kicked the bars one last time and went down into the garden. Alex was frustrated and no longer listening to Alvin, who was rolling another swisher to calm the situation. The woman found a pair of long handled shears with a rusted top that had been sitting in the red clay beneath a cleanly trimmed shrub that was fastidiously maintained every other Tuesday by Alvin’s mama. The shears were obviously a mistake, and probably had something to do with Alex as his neighbor would never have left them on the ground.

The woman, now armed, came again to the burglar bars. The metallic clanging was worse than the rattle. Human Head jumped up and raced to the back room. The sound stopped. Alex and Alvin looked at each other. Alvin had a cigar to his mouth, slowly licking the underside of the wrapping and folding it expertly in his hands into a perfect cylinder. The front door resonated with a thump. Unlike the back door the front had no bars, but it was stout wood 4 inches thick with 3 locks and a dull grey deadbolt the size of a pairing knife.

Alex had wondered why the house was so protected. The windows all had thick wrought iron bars that had been painted black once, but were now chipping. The bars curled up at points giving a spiral decoration and another surface protection. The woman banged harder against the only entrance not protected by a gate. Looking through the spy glass Alex recoiled as the force of her blow made the door shudder.

“Oi!”, he shouted, “Quit the fucking banging”. As Alvin, Alex’s voice became hard to understand for Americans when he spoke quickly, with passion. The unexpected sound of a cursing English accent made the woman stop. Alex opened the door and positioned himself in the opening, prepared to be pushed.

The woman backed down the doorsteps and onto the grey slab path that lead from the street. “Tell Alvin to get out here!” she shouted, shaking the tool.

“You’re acting like a goddamn child banging on my fucking door and causing a scene. You’re a grown woman what the hell is going on?” Alex relaxed, she was not going to attack him.

She threw the tool to the ground, “He got my phone, if he gives me the phone I’m gone, but you tell him” her voice grew louder “to give me the goddamn phone!”

“I’m not telling him nothing, it ain’t got shit to do with me, I have work, you’re here fucking me up, trying to break my door.”

Behind Alex Alvin was standing with the phone. Alex moved aside to let Alvin come up, he thought about work in 3 hours and when he got off he would get a cold beer and probably a shot of whisky. Alvin had the phone in his hand and, as he threw it into the street, he bellowed, “Here go your phone!” The phone landed a few feet in front of a maroon hatchback and exploded into its component parts. Alex swung the door closed and locked it.

The shouting outside continued. Alex could not understand what she was saying, and was thinking about when she would finally leave, when Alvin would leave and when all this would stop. Alvin had to tell him what she was saying, “She say’s she’s calling the police cus. She’ll do it too”. Alex recoiled from the news. People never called the cops in the neighborhood he thought, and said; “I’ve got warrants”.

They went to the bedroom and pulled the black curtains shut. Alvin took care of lowering the blinds and clicking them in place. Alex turned of the TV which powered down with a low buzz that went down in pitch like it was trying to suck in the last bit of light. The back door was checked, the burglar bars shut again. Alex turned all the lights off, cut the record player and went to the hallway, Alvin following. They closed all the doors to the hallway, anywhere with a window was closed off. The bedroom, bathroom and living room were now separated by 3 different doors.

Crouched in the semi darkness, idly moving the cigar around Alvin was on another phone talking in hushed tones to someone. Alex looked at this realizing that was her phone, he has his and he broke the one he gave her, Alex thought. He was breathing quickly.

He had warrants, they were only bench warrants from never going to traffic court or paying any of his numerous tickets. He was more worried about what manner of illegal things were in his house. For 2 years now, his house had become a spot for people in the neighborhood to come hang out, not that he minded that, but after he found a gun squeezed into the green feux leather seats of the couch while cleaning up after one of the larger parties, he had stopped letting unknown people in. Still he and a lot of his friends carried a lot of contraband on a regular basis.

This was Atlanta, GA where they would arrest anyone for possession of any kind of drug. There was no prescription for the morphine in the drawer of Alex’s desk, and he was thinking about this as he heard the crunching roll of a new car pulling up onto the gravely road. His roommate, though he was not always there had a predilection for cocaine and had a crack pipe hidden inside one of the amplifiers, and he was thinking about that as he heard the police talking to the woman. Their condescending and arrogant tone, that they so often use, made him angry, and then he thought about his friends last week – hadn’t they sold his roommate mushrooms, or LSD. He had taken little interest in it, but knew there was some kind of psychedelic somewhere in that room his roommate kept locked. I need a new roomate Alex thought. The other painkillers were out in plain sight because he was the only one who enjoyed them, they were just as illegal as anything squirreled away by his housemate. The woman was telling the police that Alvin, inside the dark house, had weed. He thought about that, about what Alvin kept on him. Nothing really, unlike some of his other friends Alvin was only schedule II, no felonies on his person. He could have a gun.

Alvin crouched and thought about what was in this house, and where he could hide his weed. He thought about what English people do around cops, he could sense Alex’s discomfort. He knew that a white englishman didn’t get harassed by the police, and didn’t know anything about the mechanics of avoiding arrest in the neighborhood. He could have a gun, he thought as he heard the girl talking to the police, demanding entry. He was worried Alex would open the door. He worried about the crazy roommate that his friends had sold crack to behind Alex’s back, violating the no selling crack rule that Alex imposed after crackheads came to the house, asking for rocks. He needed to calm down, and calm down the naïve, shaky man next to him.

Lost in his thoughts and straining to hear the police Alex was startled when the smell of cannabis filled the hallway. “What the fuck?” he whispered, “there are police right outside the..” his voice trailed of as a knock came at the door. He took the cigar and put it out.

The next minutes were tense, neither of them breathed as the knocking continued.

“They in there, they got weed, they are in there”. The sympathy Alex had had for the woman died away.

The officer now:

“Ma’am it looks like no one is home, we can’t go in there.”

There were ten minutes of silence that was 2 minutes long. The crunch of tires crushing stones marked their disappearance, followed 10 minutes later by another. We opened the doors and stretched. Sitting down on the couch, next to each other this time. Wordlessly the cigar was lit again, this time wet mango. He got up to look out the window and the thought about 2 hours until work, he thought about his bench warrant and the house full of hidden drugs. He thought about the police. “That can never happen again, I don’t want cops here. Ever.”

Alvin leaned forward and straightened up; “’cu’, This is my mama house nigga, you think I want cops here, shit. I’m with you.” Then he leaned back, passing the cigar. “my mama would’ve killed that girl if she was home, she don’t play, and she would have killed me.” He knew he had to brush off the fact that the event scared him, but he had hidden in a house before, he was more worried about if his mama had heard.

Alvin’s mother was formidable. Mrs Jones, or Miss Jones if you knew her well enough. Ma’am to everyone else. There could be 5 or 6 big young men standing in the shared yard, boasting about what they do, telling stories about cars stolen, asses whupped, sexual conquests, but if they were being too loud while they did it she would come out and silence the entire group with a word. Alex was fine with being less feared than M. Jones.

Entropy In Art.

Artistic Energy, Loss and Empowerment.

Shoutout to Buckminster Fuller.


Each work is created in a time answerable only to the artist

they exist relatively to the other works of the age, school, or style.

Immediate art has just been made and there is doubt of its existence

a non-validated image is an irrelevant image.

The first showing for a work is the piece at its weakest;

there is nothing in a caterpillar that suggests it will become a butterfly.

Art must be a fundamentally observable phenomenon.

Untactionable art means nothing.

As a work is viewed it gains energy.

Reaching a vertex is inevitable.

When the work has influenced other artists or

rooted a school,

when the work has gained a sanctioned fame; hanging on the austere wall of a national gallery

the entropic loss of relevance has made the work sterile

an example of a time, removed from it’s context.

If DuChamp taught us anything it is that art is art only because of context.

Placing art in easy scholarly categories allows an automatic critique,

a line is drawn between painters who never saw each others work

a line is missed when things move ahead.

Evolutionarily, art moves in jerks.

Fast and unpredictable.

Long periods of ossified ideas,

and then an injection of unfamiliar into the art-sphere

changes the environment and provokes evolution.

We speak of artists from years ago with cold detachment

then another vertex is reached.

The work is old enough to be completely detached from any modern sensibility

a bygone example of what things looked like, with no context

and the emotional resonance is different

but happens just the same.

A parabola is part of a sine wave.

Ozymandias reconsidered in the light of the Met.

Ozymandias reconsidered.

The poem is familiar; Shelly pened it in 1818 and the final lines are well known.

The jist of it is: A traveler in a strange land, a desert full of ruins, sees the bottom of what was once, judging by it’s foot, a giant statue and a head of a sneering, over-proud God-King. The inscription beneath reads:

“I am Ozymandias king of kings, look upon my works ye mighty and despair.”

The common interpretation of this is that, though the statue’s commissioner intended it to be a monument of their vast power and wealth, it has  become a monument to the ultimate futility of power, laughable as it is against the flow of time. Therefore, ye mighty, look upon the wastes and ruins and despair, because this is what happens to the King of Kings and this is what will happen to you.

However, there is a different interpretation that one could take. A 21st century impression.

The Metropolitan Museum of Art contains statues of Kings of Kings from 3000 years ago, busts of rulers who were revered as gods and demanded to live forever. If in a glass case there was a giant foot standing on a base, and a stone head that through which hubris, command and authority still shone, then the words “Look upon my works ye mighty, and despair.” Take on the opposite of the accepted meaning. 3000 years later the work is being viewed by tens of thousands of people each year, who marvel at it’s construction, at the craftsman’s skill and {imagine} what the King of Kings must have been.

The mighty now would do well to tremble at that kind of legacy, Ozymandias has achieved immortality, as have Hatsheput, Darius, Alexander and the others who Shelley originally was faulting for their pride in creating vain statues.

In 3000 years we can imagine, Mount Rushmore and the Washington Needle sitting in a gallery with people wondering why Teddy Roosevelt was up there in the first place.
Monuments to the ancient world survive, and in them survive the leaders and the cultures.

A short guide on how to imbibe.

A good sommelier is like a good chef, the truly great ones know when to be simple. Dazzling the table with a complex and obscure bottle and talking shop with the wine steward about what side of the hill got more sun in ’04 is all well and good, but for the uninitiated the world of food and beverage pairings is murky and confusing.

To achieve success you must first learn how to drink properly with food:

Take an anchovy, preferably one that has not been curing too long. Place the oily fillet onto a toasted crustini of white bread. Have a wine glass generously full of simple Montepulciano table wine. Take a sip, taste the acidity and the bite; thats the age. Taste the dark juicy notes and feel it staining your teeth, that is depth. Now, before the taste leaves your mouth eat the anchovy. Then take a generous slug of wine to wash down the salt and oil. Continue as needed. The acidity needed something oily and the fruity juice wanted salt to help it come alive. This is paring. For dark, earthy foods chose a lighter, sharper wine. The two should compliment one another, never contend for affection, and the wine should run out only when the food does.

I realize I’ve not been including music. Listen to this while eating anchovies.

The March through the Tenderloin.

The March Through the tenderloin. Moments forgotten in Occupy.

included here as a remembrance for what used to happen

February 12 2012

 

The San Francisco march against police violence that took place on Feb 10th was not a normal march.
First, it was the first march specifically against the police that took part in the City, Occupy Oakland has a weekly #FuckThePolice march each Saturday; and these, in typical Oakland fashion, are brutally suppressed by the cops.
The Feb 10th action was attended by a wide swathe of people mostly due to the Jan 28th actions in Oakland; these actions were marked by an escalation of police violence into something we had not seen before, as one person put it; “Anyone who was at January 28th new the cops were out for blood”. They came in swinging, arrested 400+  people and put them in heinous conditions in the Santa Rita jail.
This has all been written about, well documented and on video. Yet the police violence is still given little to no coverage in the “main stream media”, instead pictures of protesters burning the flag in city hall and pushing down barricades, never-mind that these barricades blocked the only means of escaping getting shot and beaten by police; if a dispersal order is given, people must be allowed to disperse; seems logical.

So the reasons to march are clear and subsequently many people showed up at 101. Highlights from the march included bursting into the Westfeild mall to “Fuck The Police” by NWA, shop keepers, terrified blocked the stores. This brought us out into the open, forced people to see us, and they didn’t see violent protesters, they saw people dancing, waving flags, signs “There is no Honor in Police Brutality”, #catbloc was giving out kitten memes and the whole thing was very vanilla. Of course the security guards bellowed, but there was never any intention of occupying the mall, it was less an anti consumer maneuver as a wake up call and public spectacle.

The greatest moment was in the Tenderloin. Marching down through the poorest neighborhood, young men stood on the sidewalks in groups, the bars were full, the liquor store was busy and the soup kitchen was serving. In the midst of this comes the march “No Justice, No Peace. Fuck the Police”. We had been chanting this for hours, near parks, shops and in the middle of the street. We also chanted “Join Us, help us, stand up!” and no one did, no one from the sidewalk did anything other than take pictures and point. Until the Tenderloin. In the tenderloin the residents are overwhelmingly black, poor and as such, targeted by the police for harassment.
The Tenderloin joined us, people enthusiastically joined in; “Fuck the Police!” the sidewalks emptied and the march swole to double its size. Of course, we were a few blocs from the tenderloin police station, and as one lone police car was surrounded, hundreds of riot cops showed up and attempted to kettle us.
This was too much for most, people scattered the march pulled up a side street and swiftly came to market. The Kettle was avoided, but not before we offered the police a voice; “You can come to our marches, but do not bring your weapons”.
The media paints us as violent protesters, but we did not bring our grenade launchers, our night sticks or our guns.

The Natural History Museum is compromised by violent capitalists and Sebastian Selgado is a hypocrite.

x

The Natural History Museum is compromised by violent capitalists and Sebastian Selgado is a hypocrite.

     The world of patronage and artistic credibility is mired in black and white allegiances to lost causes.

As artists are held up to a higher standard than the causal craftsperson, they are assumed to be serious, unrelenting and above all authentic in whatever cause they champion.

The paragon artist spits at dirty money even if it means dying poor and unknown; as long as their principals are intact then they are be true to their art, and may die uncompromisable.

This may be a naïve position, but almost certainly the correct one. What is art if not naive?

So, when photographer Sebastian Selgado’s recent exhibition of his work Genesis, beautiful photographs capturing disappearing flora and fauna as well as indigenous people in the Amazon Rainforest, was sponsored by the company Vale hackles were raised.

Vale is a mining company that counts among it’s many accolades the coveted title for having “the most contempt for environmental and human rights in the world” awarded by industry watchdog Public Eye.

The indigenous people of the Amazon were directly displaced and their land destroyed by Vale, who created the Belo Monte dam to “ensure energy security” for Brazil.

The Natural History Museum toes they line they were told to tread by the company, spewing laughably prearranged lines that lauded Vale’s commitment to sustainability and renewable energy. Perhaps the Natural History Museum was seeking to create more extinct plants and animals to pad it’s collection?

The more likely scenario is that those running the museum care only about money, and to a company like Vale sponsoring an exhibit is a way to say “look, we know we destroyed thousands of lives, but here is some money and you can look at pictures of those lives we destroyed, we are giving back to the community.”

Museums and their funding is difficult, we must have museums, but no one wants to pay, and they must be paid for. Beyond evolving and living in a socialist utopia, there seems, to these capitalist money hungry hypocrites, no way to make this a reality.

What, then, of the artist? Mr. Selgado has made his career and his money by documenting the disappearing (because of Vale, remember?) Amazonian natives, as well as nature photography in general. The assumption being that Mr. Selgado may perhaps give two fucks about what happens to said natives. This assumption is, sadly, wrong. By taking the money from Vale and not boycotting the show, the museum, and anything connected to the kind of work that destroys the rainforest, Mr. Selgado has proved himself an enemy of the people and the world he propots to care about.

We could take a portrait of Mr. Selgado, looking pensively out of his large house, then reroute a sewer line to flow directly through his living room, destroying everything he owns and everything he knows. Then we could exhibit the photograph at a show paid for by the sewage company that rerouted the line.

His hypocrisy does not make him any less of a photographer, but they do make him a less worthy human being.

The Three Minds of Dialectic Behaviour Therapy

 http://www.dbtselfhelp.com/html/mind_states.html

In the highest state of mindfulness, is suicide an option?

       There are, so I am told, a reasonable mind, a wise mind, and an emotional mind. The emotional mind’s territory is rough, volcanic and sporadic. Anger, fear, hate, terror are a constant and burning essence there, but so are: agápē, érōs, philía, and storgē. It’s not as easy as simply suppressing the emotional mind until it simply disappears,because what is living without the possibility of at least one of the 4 loves.

      The reasonable mind is a staunch logician, thinking things through and offering helpful advice like, “that will be on sale in a week, how about waiting?” The logic, the mathematical, the less immediate and less intense mind; but no less important. The reasonable mind provides explanations and strategies for the world around us.

      The wise mind is the area of confluence of the reasonable mind and the emotional mind. The wise mind groks. It is more than just an affirmation of emotions mixed with the consideration of what the logical result would be. It is a feeling, something just feels right. And we are taught to search for that wise mind and we will be at peace with ourselves.

     So what then, if nothing feels right? If things feel correct then the wise mind is doing it’s job; curtailing the fire of emotion and filing the accounting book of the reasonable.

    Why is it not possible to have a wise mind that comes to a negative conclusion? The possibility of both emotion and reason coming together and realizing that things do not feel right is because something is wrong. Obviously, the world is wrong, but it’s always wrong so the natural order is maintained. The logical assumption then, is that I am wrong.

    That is an emotional response, and therefore irrational. It is also reasonable, based on the facts and therefore true. Can a wise mind commit suicide?

    The reasonable mind, weighing the logical futility of life comes to the existentialist conclusion that life is meaningless. The reasonable mind reads the old Hagel, Hobbes, and (in a moment of irony) Freud; but continues to settle with Camus (not to be confused with coming to a Sarterian conclusion Camus abhors death, Sartre welcomes it). So if life is meaningless then why live it?

    The reasonable mind then defers to the emotional mind to justify existence with love, passion and happiness. But of course emotion can never be trusted; falling flat with happiness and instead coming back with depression, lethargy, anger and loneliness. The emotional mind then jumps to the conclusion that life is painful and awful.

     If life is painful and awful, if life is ultimately meaningless then the wise mind would come to the conclusion that life is entirely a waste of time and it would be better for all concerned if it simply stopped existing. The wise mind is empathetic to the idea that there are others whose existence is valued, just not itself. The feeling of ‘correctness’ comes in like a boat slipping through the fog; everything is not alright, everything is shit; but it’s the calm reassurance of having come to the conclusion both logically and emotionally that make such an act of self destruction correct.

     That kind of calm reassurance opens up a realm of possibilities. A slow death, a quick death, make a mark, make another human to think about separate minds.

There are no such things as separate minds.